PZYK 2021 — 15 May 2021

It is with great sadness we are today announcing the cancellation of PZYK 2021.

Despite the positive vaccination news, we still have no certainty as to whether it will be feasible to host the festival in May 2021. With months of continued planning ahead to realise PZYK 2021, we do not have the luxury of waiting until the spring before making a decision as to whether we can welcome our congregation to Liverpool in May.
We appreciate that people travel from around the world to visit the festival and out of respect we want to provide clarity as soon as possible.
We were incredibly excited about presenting the festival at a new venue and we have made the decision to cancel with a heavy heart.
We look forward to a point in the future when COVID-19 is but a distant nightmare and we can come together once more.
Refunds will be processed automatically by our ticketing partner Eventim on Monday 30th November.
All original tickets remain valid for the re-arranged date. If you have any further ticketing enquiries, please contact Eventim here.

Yours in drone, always.


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ERIC COPELAND has been sound clashing at full volume for over 20 years. Copeland first carved a named for himself as one third of the legendary NY-via-Providence band Black Dice. He is also a wildly prolific solo artist and has played a variety of shit houses and party palaces and seemingly everywhere in between, all over the world.

A long time Brooklyn resident, Copeland participated in more than one generation’s musical celebration. While maintaining a relatively humble and low key presence in a highly competitive musical world, he has managed to release a few albums and singles per year on indie labels such as L.I.E.S., Escho (Iceage), PPM (No Age), Paw Tracks (Animal Collective) and DFA. He is also one-half Terrestrial Tones duo, finding Animal Collective’s Avey Tare on the other end of that project.

Copeland has continued on his path of deconstruction – forming tracks of scrapped samples, damaged loops and controlled chaos. It’s certainly not easy listening music, yet somehow Copeland manages to pull through with his demented pop sensibilities crawling up from the muck and spewing out on the beach to catch a tan. His latest work, ‘Trogg Modal Vol. 2’, is a highly dancebale, late-night proto techno record, released on his longstanding home of DFA.